Sample Agreements
Cultural and Intellectual Property Policy for Festivals and Performances

This sample Cultural and Intellectual Property Policy for Festivals and Performances should be used by an Indigenous Art Centre as a best practice policy in relation to all festivals or performances involving traditional forms of Aboriginal or Torres Strait Islander cultural traditional expression and knowledge which are hosted or staged by, or involve the Arts Centre.

Sample Agreements
2015 Music Law Pack for Bands

A pack of tailored music contract templates, annual subscription to our legal services and access to 'Creating Harmony: Legal Issues for Musicians' webinar.

Band Partnership Deed

This sample agreement outlines the formalisation of a pre-existing band or performers wishing to join together to form a band.

Band Partnership Letter agreement

This sample Band Partnership Letter Agreement should be used when members of a band want to record how their band will operate as between the various members.

This sample agreement includes the most common terms which the parties need to consider and agree to.

Contractor Agreement for Performers

This sample agreement should be used when a performer is being contracted by someone else to perform in a production. If the performer is being engaged as an employee rather than a contractor, Arts Law's Employment Agreement for Performers is more appropriate.

Copyright Licensing Agreement

This sample Copyright Licensing Agreement should be used when a person who owns the copyright in creative content wishes to give permission to another person to use their content (whether a visual artwork, text, music, film or other content) in a particular way.

Employment Agreement for Performers

This sample agreement can be used when a performer is being employed to perform in a production. It may also be adapted for other forms of employment. If the performer is being engaged as a contractor rather than an employee, Arts Law's Contractor Agreement for Performers is more appropriate.

Music Commission Agreement for Games

This sample Music Commission Agreement for Games should be used when a game developer wants a composer, musician or band either to create original music for use in the developer’s game or to adapt existing music into a new composition or arrangement.

Music Commission for Film

This sample agreement covers the fundamentals of how a producer commissions a screen composer to create an original score for a film or video.

Music Compilation Licence for a Community Project

This sample agreement outlines the arrangement between a community or a non-profit organisation and an unsigned artist in which the artist records songs for the first time for inclusion on a compilation album.

Music Licence for Film

This sample agreement is used when a producer wants to synchronise existing music and an existing master tape of the music to a soundtrack for a video or film. It is appropriate when the composer of the music owns the copyright in both the music and lyrics.

Music Licence for Games

This sample Music Licence for Games (often referred to as a synchronisation licence or master licence) is for use where a game developer wants to synchronise existing music and an existing master recording of the music to a soundtrack for a game. It is appropriate when the composer of the music owns the copyright in both the music (and lyrics) and the sound recording.

Music Studio Recording Agreement for Unsigned Artists

This sample agreement should be used when an unsigned artist is negotiating a booking with a recording studio. It can be used as a starting point for drafting an agreement or as a checklist to compare to the terms offered by the studio.

One-off Performance Partnership Deed

This sample deed should be used when a group of performers (dancers) want to form a partnership for the purpose of putting on a one-off show/project/performance.

Performer’s Ongoing Partnership Deed

This sample deed should be used when a group of performers want to form a partnership for the purpose of putting on more than one show/project/performance on an ongoing basis.

Performer’s Release

This sample agreement should be used to ensure that the recipient of the release, for example a producer, is allowed to record and use the performance. It also covers the performer's copyright and moral rights.

Sample Website Terms of Use

These sample Website Terms of Use are for use on websites either with a blog (i.e. a public "discussion board" that allows users to post their comments for others to read and comment on) or a more traditional website without a blog.

Session Musician’s Release

This sample Session Musician’s Release (the Release) should be used when a musician is being hired by a third party to perform a musical work as part of a recorded music session.

Sponsorship Agreement

This sample agreement should be used by artists or arts organisations when obtaining sponsorship for a particular event or activity, such as a festival, performance or exhibition.

Venue Hire Agreement

This sample agreement can be used for hiring a place/space for short period of time.

Workshop Participation Deed

This sample WORKSHOP PARTICIPATION DEED should be used when a person takes part in a workshop in which they will create copyright material, for example by writing text, composing music, creating new dance movement or coming up with new lines for a play, and possibly performs the material created.

Info Sheets
Artwork Licensing Toolkit for Indigenous Art Centres

This information sheet explains how art centres can systematically manage copyright licensing requests for the use of artists’ work. It describes the various sample agreements contained in the Art Centre IP Licensing Toolkit. It can be used in conjunction with the suggested Copyright Licence Fee Schedules (available for separate purchase).

Purchase the Artwork IP Licensing Toolkit here.

Business Structures

This information sheet explains the difference between incorporated and unincorporated groups and some of the other issues you need to consider when looking at what business structure would suit you or your group.

Contracts

This information sheet gives you an understanding of what a contract is and how to protect yourself when making contracts.

Copyright

This information sheet describes what copyright is and how you can use it to protect your artistic work.

Intestacy Kit - ACT

This Intestacy Kit has been developed to assist families of Indigenous artists who passed away without making a will. If the artist did leave a will, see the Wills Kit. The development of this resource is made possible through the support of Copyright Agency Ltd (CAL) and DLA Piper. For the complete version please download the document.

Intestacy Kit - NSW

This Intestacy Kit has been developed to assist the families of Indigenous artists who have passed away without making a will. The development of this resource is made possible though the support of Copyright Agency Limited (CAL). For the complete version please download the document.

Intestacy Kit - NT

This Intestacy Kit has been developed to assist families of Indigenous artists who passed away without making a will. If the artist did leave a will, see the Wills Kit. The development of this resource is made possible through the support of Copyright Agency Ltd (CAL) and DLA Piper. For the complete version please download the document.

Intestacy Kit - QLD

This Intestacy Kit has been developed to assist the families of Indigenous artists who have passed away without making a will. The development of this resource is made possible though the support of Copyright Agency Limited (CAL). For the complete version please download the document.

Intestacy Kit - VIC

This Intestacy Kit has been developed to assist the families of Indigenous artists who have passed away without making a will. The development of this resource is made possible though the support of Copyright Agency Limited (CAL). For the complete version please download the document.

Intestacy Kit - WA (post 7 August 2013)

This Intestacy Kit has been developed to assist families of Indigenous artists who passed away on or after 7 August 2013 without making a will. If the artist did leave a will, see the Wills Kit. If the artist passed away without a will before 7 August 2013 please see the Intestacy Kit - WA (pre 7 August 2013)

The development of this resource is made possible through the support of Copyright Agency Ltd . For the complete version please download the document.

Intestacy Kit - WA (pre 7 August 2013)

This Intestacy Kit has been developed to assist families of Indigenous artists who passed away without making a will. If the artist did leave a will, see the Wills Kit. The development of this resource is made possible through the support of Copyright Agency Ltd (CAL) and Jackson MacDonald. For the complete version please download the document.

Intestacy Kit – South Australia

This Intestacy Kit has been developed to assist families of Indigenous artists who passed away without making a will. If the artist did leave a will, see the Wills Kit. The development of this resource is made possible through the support of Copyright Agency Ltd (CAL) and DLA Piper. For the complete version please download the document.

Intestacy Kit – Tasmania

This Intestacy Kit has been developed to assist families of Indigenous artists who passed away without making a will. If the artist did leave a will, see the Wills Kit. The development of this resource is made possible through the support of Copyright Agency Ltd (CAL) and DLA Piper. For the complete version please download the document.

Licensing

This information sheet explains the different types of licences and how they operate.

Moral Rights

This information sheet gives a brief introduction to the moral rights of an artist.

Solid Arts - Drama, Performance And Dance

This fact sheet provides information on:

  • the nature of copyright in dramatic works;
  • the rights of copyright owners;
  • when to get permission from the copyright owner;
  • exceptions to the need to get permission;
  • duration of copyright;
  • royalties;
  • resources.
Info Sheets
Agency agreements

Actors, musicians and bands often appoint agents or managers to act on their behalf. Visual artists often have a dealer who represents them. The manager or agent can enter into contracts that are binding on the person who appointed them (the principal). There are specific legal rules which apply to these agency relationships.

This information sheet explains what an agency is, how it is created, the authority granted to an agent, an agent's obligations, and the important terms of agency agreements. It also deals with any state legislation that applies to agents, managers and venue consultants in the entertainment industry. Bands and visual artists should also read the “Music management checklist” and “Artist-gallery checklist”.

Children in the creative process (ACT)

When artists work with children, whether as part of a community project or an educational workshop, or where children are actors, performers or models, specific legal obligations and duties arise.

This information sheet outlines the legal issues artists or arts organisations in the Australian Capital Territory should consider when they contemplate working with or using children in any part of the creative or artistic process. It covers the duties of employers and the requirements for police and working with children checks.

It also summarises ACT laws relating to child pornography and obscenity.

National laws as well as State and Territory laws are relevant. It is important to read this information sheet in conjunction with the information sheet Children in the creative process – Australia.

Children in the creative process (NSW)

When artists work with children, whether as part of a community project or an educational workshop, or where children are actors, performers or models, specific legal obligations and duties arise.

This information sheet outlines the legal issues artists or arts organisations in New South Wales should consider when they contemplate working with or using children in any part of the creative or artistic process. It covers the duties of employers and the requirements for police and working with children checks.

It also summarises NSW laws relating to child pornography and obscenity.

National laws as well as State and Territory laws are relevant. It is important to read this information sheet in conjunction with the information sheet Children in the creative process – Australia.

Children in the creative process (NT)

When artists work with children, whether as part of a community project or an educational workshop, or where children are actors, performers or models, specific legal obligations and duties arise.

This information sheet outlines the legal issues artists or arts organisations in the Northern Territory should consider when they contemplate working with or using children in any part of the creative or artistic process. It covers the duties of employers and the requirements for police and working with children checks.

It also summarises NT laws relating to child pornography and obscenity.

National laws as well as State and Territory laws are relevant. It is important to read this information sheet in conjunction with the information sheet Children in the creative process – Australia.

Children in the creative process (QLD)

When artists work with children, whether as part of a community project or an educational workshop, or where children are actors, performers or models, specific legal obligations and duties arise.

This information sheet outlines the legal issues artists or arts organisations in Queensland should consider when they contemplate working with or using children in any part of the creative or artistic process. It covers the duties of employers and the requirements for police and working with children checks.

It also summarises QLD laws relating to child pornography and obscenity.

National laws as well as State and Territory laws are relevant. It is important to read this information sheet in conjunction with the information sheet Children in the creative process – Australia.

Children in the creative process (SA)

When artists work with children, whether as part of a community project or an educational workshop, or where children are actors, performers or models, specific legal obligations and duties arise.

This information sheet outlines the legal issues artists or arts organisations in South Australia should consider when they contemplate working with or using children in any part of the creative or artistic process. It covers the duties of employers and the requirements for police and working with children checks.

It also summarises SA laws relating to child pornography and obscenity.

National laws as well as State and Territory laws are relevant. This information sheet must be read in conjunction with the general information sheet Children in the creative process – Australia since that fact sheet explains how the various federal laws operate. This information sheet explains how the South Australia laws relate to you as an artist working with children. It includes information about the employment of children, background checks, pornography and obscenity offences and the application of classification legislation in South Australia.

Children in the creative process (TAS)

When artists work with children, whether as part of a community project or an educational workshop, or where children are actors, performers or models, specific legal obligations and duties arise.

This information sheet outlines the legal issues artists or arts organisations in Tasmania should consider when they contemplate working with or using children in any part of the creative or artistic process. It covers the duties of employers and the requirements for police and working with children checks.

It also summarises TAS laws relating to child pornography and obscenity.

National laws as well as State and Territory laws are relevant. It is important to read this information sheet in conjunction with the information sheet Children in the creative process – Australia.

Children in the creative process (VIC)

When artists work with children, whether as part of a community project or an educational workshop, or where children are actors, performers or models, specific legal obligations and duties arise.

This information sheet outlines the legal issues artists or arts organisations in Victoria should consider when they contemplate working with or using children in any part of the creative or artistic process. It covers the duties of employers and the requirements for police and working with children checks.

It also summarises VIC laws relating to child pornography and obscenity.

National laws as well as State and Territory laws are relevant. It is important to read this information sheet in conjunction with the information sheet Children in the creative process – Australia.

Children in the creative process (WA)

When artists work with children, whether as part of a community project or an educational workshop, or where children are actors, performers or models, specific legal obligations and duties arise.

This information sheet outlines the legal issues artists or arts organisations in Western Australia should consider when they contemplate working with or using children in any part of the creative or artistic process. It covers the duties of employers and the requirements for police and working with children checks.

It also summarises WA laws relating to child pornography and obscenity.

National laws as well as State and Territory laws are relevant. It is important to read this information sheet in conjunction with the information sheet Children in the creative process – Australia.

Children in the creative process - Australia

Federal, State and Territory laws all impact on how an artist works with children as part of the creative or artistic process. This information sheet looks at Australia’s national laws relevant to working with children including the censorship regime related to the classification of films, computer games and other publications.

This information sheet must be read together with the information sheet that is specific to the state or territory in which the artist is working.

Classification and censorship

Artists should be aware that they might be required to have their works classified. Whether an artist has an obligation to have a particular work classified depends on a number of factors, including the medium of the work, its content and how it is being used.

This Information sheet explains the different classification systems that apply to different types of creative works including films, computer games, publications and artworks as well as the available exemptions such as for festivals. This scheme is administered by the Classification Board. This information sheet also discusses the regulation of content for television, radio and internet by the Australian Communications and Media Authority as well as the voluntary labelling guidelines for audio tapes, records and CDs that have been developed by the Australian Record Industry Association (ARIA) and the Australian Music Retailers' Association (AMRA).

Competition conditions

This information sheet considers some issues you should consider before entering creative competitions.

Contracts: A glossary of jargon

This information sheet contains a list of some of the more common legal terms that you might come across in negotiations as well as words and expressions that may appear in an agreement. 

Copyright

Copyright provides a way for artists to protect and monetise their creativity. Knowing how to license copyright and earn a royalty gives artists a way to make money from their work. Knowing what to do if someone makes an unauthorised copy is also vital. This information sheet will introduce you to some of the copyright basics.

Arts Law has a number of sample copyright licences, as well as an information sheet on ‘Copyright infringement and letter of demand”. 

Copyright Collecting Societies

Collecting societies collect royalties on behalf of their members. Members are artists, authors, musicians and other owners of copyright in works (such as lyrics, visual art and literature) or other copyright material (such as sound recordings, films, and television broadcasts). 

Creative Commons

Creative Commons (CC) is a non-profit organisation which provides a set of free, generic licences which creators of intellectual property can use to distribute their work to the public digitally. It was launched in the United States in 2001 founded on the concept that people can contribute to a shared 'commons' of creative works by effectively giving up certain rights in a copyright work and allowing others freely to use, adapt, modify and distribute this work.

Crowdfunding Music Projects

The guides to successful crowdfunding draw attention to the advantages of offering ‘rewards’ or ‘perks’ linked to the project as a way of enhancing the attraction of your project.  Arts Law’s Crowdfunding information sheet helps you understand what you can do (and what can get you into trouble) if you are a Australian band or recording artist engaging in crowdfunding for your next recording session, video, tour or any other creative project.

Debt recovery letter of demand

This information sheet explains the function of a letter of demand for debt recovery. It includes a sample letter of demand for the recovery of money following your supply of goods or services (eg. sale of artwork, performance fees) to a person or organisation.

Debt recovery – small claims procedure (NT)

An introduction into how one can go about chasing payment that is owning to them in the Northern Territory. It provides clarification on the small claims procedure in the Northern Territory.

Debt recovery – small claims procedure (VIC)

When chasing payment for goods or services, the first step is generally to send a letter of demand to the other party telling them of the dispute and the money outstanding, and giving them a defined period within which to settle the matter or else face legal action.

This information sheet assumes that the contracts under which money is owed are legally enforceable, and that the debts are not subject to the National Consumer Credit Protection Act 2009 (Cth)or the National Credit Code. If you are unsure, please contact Arts Law on (02) 9356 2566 or toll-free on 1800 221 457.

When chasing payment for goods or services, the first step is generally to send a letter of demand to the other party telling them of the dispute and the money outstanding, and giving them a defined period within which to settle the matter or else face legal action.

When sending a letter of demand, you should be careful not to:

·         harass the debtor – they have the right to complain about this behaviour to particular government agencies and the police; or

·         send a letter which is designed to look like a court document because this is illegal.

A guideline on acceptable and unacceptable debt collection practices is published by the Australian Competition and Consumer Commission and the Australian Securities & Investment Commission (ASIC) It is available at the ASIC website as ASIC Regulatory Guide 96 - Debt collection guideline: for collectors and creditors; and is also available at the ACCC website.

This information sheet assumes that the contracts under which money is owed are legally enforceable, and that the debts are not subject to the National Consumer Credit Protection Act 2009 (Cth)or the National Credit Code. If you are unsure, please contact Arts Law on (02) 9356 2566 or toll-free on 1800 221 457.

Debt recovery – small claims procedure (WA)

This information sheet provides an introduction into about how one can chase outstanding payment in Western Australia. It provides clarification on the small claims procedure in Western Australia.

Defamation law (for material published after January 2006)

Artists often have questions about whether their work defames someone. This information sheet describes the law of defamation (sometimes called libel or slander) as it applies to work published after January 2006. It explains how to minimise the risk of defamation and what the defences are if you are threatened with a defamation action. 

Defamation law (for material published before January 2006)

Artists often have questions about whether their work defames someone. This information sheet describes the law of defamation (sometimes called libel or slander) as it applies to work published before January 2006. It explains how to minimise the risk of defamation and what the defences are if you are threatened with a defamation action. 

Direct Licensing Guidelines

This information sheet is for small Australian record companies and independent artists that have an input agreement with the Phonographic Performance Company of Australia (PPCA). All record companies and independent artists that are PPCA licensors must have direct licensing guidelines that outline the circumstances in which they may directly licence public performance and transmission rights for their sound recordings. This information sheet includes sample Direct Licensing Guidelines. All PPCA licensors are entitled to free legal advice from Arts Law about their guidelines and input agreements. For advice, lodge a query here.

Disclaimers, exclusion clauses and risk warnings

This information explains the difference between a disclaimer and an exclusion clause in a contract and the circumstances when a risk warning should be used. It explains when you should use them, what they mean and the effectiveness of such clauses or statements in limit liability for injury, loss or damage. This information sheet should be read in conjunction with our insurance and liability information sheet.

Employment Issues (NSW)

This information sheet provides information about employment law in NSW for employees, contractors and volunteers, including employers’ legal obligations under the Fair Work Act 2009 (Cth). 

Freedom of expression

The Australian Constitution does not expressly protect the freedom of expression and there are also limitations that can inhibit creative freedom in some situations, including defamation, anti-vilification, classification and censorship laws and the treason and urging violence offences. 

Liability and insurance

Accidents can happen when you operate a business or conduct your creative activity. It is important you understand your ‘liability’ or legal responsibility to compensate for damage or injury to people and property. This information sheet explains liability, risk management  and insurance. 

Moral rights

Moral rights protect the personal relationship between a creator and their work even if the creator no longer owns the work, or the copyright in the work. Moral rights concern the creator’s right to be properly attributed or credited, and the protection of their work from derogatory treatment. This information sheet provides an overview of moral rights and what constitutes infringement, it should be read in conjunction with the Moral rights infringement and letter of demand information sheet.

Moral rights infringement and letter of demand

Moral rights protect the personal relationship between a creator and their work even if the creator no longer owns the work, or the copyright in the work. If you receive legal advice that your moral rights have been infringed, it may be appropriate to send a letter of demand. This information sheet explains what a letter of demand is and contains a sample letter of demand. This information sheet should be read in conjunction with the information sheet on Moral rights

Music Copyright and Publishing for Bands and Recording Artists

Composers, lyricists, independent recording artists and bands that own the copyright in their music can derive income through the licensing and performance of their compositions and sound recordings. This information sheet explains music copyright and royalties, the role of collecting societies such as APRA/AMCOS and PPCA, and music publishing. Sample agreements that may be relevant include Music Recording agreements guide, Music Studio Recording Agreement for Unsigned Artists and Session Musician’s release

Musicians and composers: useful resources

This information sheet lists resources, including sample agreements, which musicians, composers, songwriters and bands may find useful. It includes a brief description of the different music copyright collecting societies including APRA|AMCOS and PPCA,  the resources available on the website of the Arts Law Centre of Australia and relevant national and state music organisations.

Patents

Patents are a way of protecting inventions. If you have created a useful product or process, you may be entitled to register a patent. This information sheet provides a description of the types of inventions eligible for patent protection. It also provides an outline of how to apply and who can apply for a patent, as well as information on business method patents.

Performers’ rights

Actors, circus performers, musicians, dancers and other live performers may have performers’ rights in their performances. These rights include the right to control the recording and broadcast of live performances, limited copyright in certain sound recordings of live performances and moral rights. 

Protecting your ideas

How to protect ideas and an outline of confidentiality law. This information sheet includes a sample confidentiality agreement.

Social Media for Artists

The Internet provides artists with a platform to access a worldwide audience for their work.  Social media, in particular, is a ready-made do-it-yourself mechanism for distributing, promoting, exhibiting and even selling creative content whether music, visual art, film, literature or other multi-platform art forms. This information sheet addresses the legal issues that can arise for artists using social media to publish their work.

Superannuation and contract for services

This information sheet provides a summary of, and guide to, the superannuation guarantee charge, including the different aspects of superannuation and the responsibilities of employers, employees and self employed workers.

Trade marks

An explanation of who can apply for a trade mark, how to register a trade mark, and what can be registered as a trade mark. An overview of the registration process, reasons why a application may be refused and preventing others to use your trade mark.

Website development

This information sheet covers the most important issues that a person should consider and possibly address in a contract when engaging a website developer to create a website.

Info Comics
Contracts

A contract is an exchange of promises ("something for something") that is legally enforceable. Contracts can also be called "agreements".

Copyright

This comic provides information about what to do when someone infringes your copyright.

Moral Rights

This comic provides information about how your moral rights might be infringed and what to do about it.

Articles
Arts Law in the Kimberley: a facebook story

Arts Law's facebook page already has 466 fans and is a source of current news on legal and political  issues affecting the Australian and international arts industries as well as keeping you up-to-date on new resources available from Arts Law.

Arts Law in the Northern Territory

In mid-September Arts Law senior solicitor Delwyn Everard and Aboriginal Liaison Officer Shian Se'l-Barker travelled through the Northern Territory on a trip advising Indigenous musicians and artists. Here Shian recounts the experience.

Bush Band Business 2012

In 2012, Artists in the Black (AITB) was invited again by Music NT to participate in Bush Bands Business (BBBiz).  Held at the breathtaking Ross River Resort, Bush Bands Business is the professional development and mentoring program for the eight Indigenous bush bands chosen to perform at the Bash in Alice Springs during the annual Desert Festival.

Bush Bands Business – Skills Development for Indigenous Musicians

In September 2013, Delwyn Everard and Donna Carstens travelled to the beautiful surrounds of Ross River near Alice Springs to participate in the Bush Bands Business camp. This is the third consecutive year that Arts Law’s Artists in the Black program has partnered with Music NT in a unique professional development program for Indigenous bands.

From WIPO, Geneva: IGC 19 Report

The 19th session of WIPO’s Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (IGC) was held in Geneva, WIPO Headquarters, 18-22 July 2011. We (Trish Adjei and Louise Buckingham) went along as observers for Arts Law. We were also privileged to participate in the Indigenous Caucus during the meeting.

Musicians in the Black

Arts Law is delighted to announce that the launch of the workshop component of its Musicians in the Black project will be at the WAMi Music Festival to be held in Perth from 21 - 28 May 2011. The WAMi Festival is an annual festival run by the West Australian Music Industry Association, which celebrates WA’s thriving contemporary music community.

Musicians in the Black Update

In Balgo in remote north Western Australia, a small group of musicians sit in the exhibition space of Warlayirti Artists Centre  discussing the bands they play in, how they make decisions and what they should call themselves. They like the sound of "The Lost Boys" but think there might be another band somewhere in Queensland using that name. Behind them is the new purpose built recording studio built at the art centre in recognition of the emerging Indigenous musical talent in a community better known for its visual artists – including Eubena Nampitjin, Elizabeth Nyumi, Boxer Milner and  Helicopter Tjungurrayi.

Solid Arts Update

Solid Arts provides a toolkit of resources on respecting and protecting Indigenous intellectual property. The 3 year project was funded by the Cultural Ministers Council and will enter its final phase in 2012.

Solids Arts – Respecting and protecting Indigenous intellectual property

In 2010 the Arts Law Centre of Australia (Arts Law) was contracted through the Cultural Ministers Council to further develop the Indigenous intellectual property toolkit resource over three years (2010-2012). This project has been titled Solid Arts and will include a resources across a number of mediums.

Whitehouse Scores A Master Licensing Deal For its First Album

In June 2011, Arts Law was approached by Grant Saunders aka Sonic Nomad of Sydney band Whitehouse.   Formed in 2006 and boasting an Aboriginal frontline and a Sri-Lankan rhythm section, the band won the Indigenous Emerging Artists grant in 2010 and its self-funded debut album is due for release in late 2011.

Case Studies
News & Events
Artists in the Black visits the Mid North Coast

Arts Law, in collaboration with Saltwater Freshwater Arts Alliance is offering FREE legal advice workshops to Aboriginal and Torres Strait Islander Artists on the mid north coast this June.

Arts Law launches new band partnership agreement

Together with Allens Linklaters, Arts Law has developed a new short form band agreement. This template is an alternative to the longer more detailed band partnership agreement and can be used when bands want a basic straightforward record of how they want to work together, who owns the music they make and how they will share expenses and income.

Bush Band Business

In conjunction with Music NT and Alice Desert Festival, National arts grant fund The Seed is proud to support the 2011 Bush Bands Business.

Bush Bands Business is a series of workshops for Indigenous musicians and technicians who are preparing for the Bush Bands Bash concert, a major live performance event held at the annual Alice Springs Desert Festival.

Audio & Video
Artists Rights Video Series

Arts Law helps all sorts of artists at every stage of their careers. Here, artist Alexia Sinclair, writer Robert Drewe and The Lovely Days give an insight into the importance of knowing your rights and getting all the legal stuff sorted.

Award winning artist and photographer Alexia Sinclair talks about her experiences with Arts Law, and the importance of contracts

Walkley-Award winning journalist and author, Robert Drewe, discusses some of the legal issues associated with optioning your work for the screen, and the importance of getting quality legal advice

Holden and Tennyson from The Lovely Days discuss the benefits of getting your band partnership sorted early on

Contracts - Eddie’s story

Eddie had an agreement to sell a hundred hand painted boomerangs to an art dealer. But what happens when the dealer cancels the order?

Copyright

What is copyright and how does it affect my art?

Festivals

Things you need to know when organising a festival.

Ilbijerri Protocols

Rachael Maza, actress and artistic director of Ilbijerri Theatre Company, discusses protocols for developing scripts and performance for Indigenous theatre.

Ilbijerri Story

Actress and director Rachael Maza talks about Ilbijerri theatre and the potential complexity sometimes involved in negotiating a fair contract between artists involved in the production of a performance work.

Wills for Artists

Deputy Director of Arts Law Delwyn Everard discusses wills and the importance of them for Indigenous artists in managing how their property will be distributed after passing away.

Other Organisations
Australian Music Industry Network (AMIN)

AMIN in representing its member, the state and territory music industry associations creates a wide network that provides a national platform for the representation and the delivery of projects for the benefit of the contemporary music industry in Australia.

Australian Performing Right Association (APRA)

APRA administers the public performance and communication rights for musical compositions and lyrics on behalf of authors, composers, music publishers and other music copyright owners.

Australian Record Industry Association (ARIA)

ARIA is a national recording industry association representing the interests of its members, ranging from small “boutique” labels to medium size organisations and very large companies with international affiliates.

Blacklist

A site containing up-to-date information about Australian Indigenous music.

Contemporary Music Services Tasmania (CMST)

CMST provides services, forums and facilities to support the development of the Tasmanian contemporary music. Musicians and music industry workers who become members of CMST have access to a wide range of opportunities across Tasmania

IP Australia

IP Australia is the federal government agency that grants rights in patents, designs and trademarks.

Media Entertainment and Arts Alliance (MEAA)

The Alliance is the union and professional organisation which covers everyone in the media, entertainment, sports and arts industries. There are over 36,000 members which include people working in TV, radio, theatre & film, entertainment venues, recreation grounds, journalists, actors, dancers, sportspeople, cartoonists, photographers, orchestral & opera performers as well as people working in public relations, advertising, book publishing & website production. MEAA can provide information to members about minimum standard hourly rates.

Music NSW

Music NSW is a not profit association which aim is to represent, promote and develop the contemporary music industry in New South Wales.

Music NT

Music NT represents and develops the NT music industry. It offers to its members support in form of office access (computer, photocopier, telephone, directories), advice on touring, recording, promotion, performance opportunities and access to a wide range of resources.

Music Rights Australia

Music Rights Australia is an organisation that protects the creative interests of artists within the Australian music community through educational initiatives, government lobbying and the protection of artists’ copyrights.

Music Victoria

Music Victoria supports the growth, participation and development of the Victorian contemporary music industry. In all its activities, it aims to add value to music makers.

Office of Industrial Relations

Free publications to help employees and employers understand their rights and obligations under NSW industrial legislation. Has information about registering as an agent.

Q Music

Q Music develops and represents all sectors of Queensland music industry. Q Music provides a wide range of services to artists and other music professionals such as workshops, resources, assistance and advice services, careers support.

Songlines

Songlines is an Indigenous music corporation which aim is to preserve and promote Aboriginal music. It proposes different services and facilities to Indigenous musicians such as performance opportunities, professional support and recording studio.

The Push

The Push is a youth entertainment organisation. It provides information and support to young people in Victoria who wish to stage alcohol and drug free entertainment or to develop a career in the music industry. The Push has strong associations in the music industry.

Word of Life International

Word of Life International acts as an agent of owners of copyright liturgical music to provide copyright licences, collect royalties and otherwise facilitate the availability and use of religious music by churches, schools, and other religious organisations in the South Pacific basin.