Arts Law’s Artists in the Black program invites art centres to “Adopt a Lawyer”. This novel pro bono program partners Aboriginal and Torres Strait Islander community arts centres with an experienced law firm for a three year partnership.
The “Adopt a Lawyer” program is designed to build on the existing Artists in the Black support of community art centres by creating one-on-one relationships between individual art centres and a single law firm. Art centres can contact their designated law firm directly for advice on specific legal issues with support and backup available to both the art centre and the law firm from Arts Law as needed. Both the art centre and the law firm will benefit from a closer understanding of each other’s operations enabling greater and more timely access to relevant commercial legal advice. The law firms will enjoy a closer relationship and understanding of Australia’s ancient Indigenous culture as expressed through contemporary art and assist in building sustainable creative practices in some of the most remote areas of Australia.
Current partnerships include:
If your art centre or law firm is interested in participating in this exciting program, please contact the Arts Law Centre of Australia at email@example.com or 1800 221 457.
Eddie had an agreement to sell a hundred hand painted boomerangs to an art dealer. But what happens when the dealer cancels the order?
Learn about contracts in Arrernte.
Learn about contracts in English
Learn about contracts in Kriol
Learn about contracts in Pitjantjatjara
Learn about contracts in Tiwi
Learn about contracts in Warlpiri
Learn about contracts in West Kriol
Learn about contracts in Yolngu Matha
What is copyright and how does it affect my art?
Learn about copyright in Arrernte
Learn about copyright in English
Learn about copyright in Kriol
Learn about copyright in Pitjantjatjara
Learn about copyright in Tiwi
Learn about copyright in Warlpiri
Learn about copyright in West Kriol
Learn about copyright in Yolngu Matha
Sasha Titchkosky a director of Koskela, discusses the processes involved in establishing a collaborative project with Elcho Island (Galiwinku) artists.
Things you need to know when organising a festival.
Learn about festivals in Arrernte
Learn about festivals in English
Learn about festivals in Kriol
Learn about festivals in Pitjantjatjara
Learn about festivals in Tiwi
Learn about festivals in Warlpiri
Learn about festivals in West Kriol
Learn about festivals in Yolngu Matha
What is Indigenous Cultural and Intellectual Property (ICIP) and why is it so important?
Learn about ICIP in Arrernte
Learn about ICIP in English
Learn about ICIP in Kriol
Learn about ICIP in Pitjantjatjara
Learn about ICIP in Tiwi
Learn about ICIP in Warlpiri
Learn about ICIP in West Kriol
Learn about ICIP in Yolngu Matha
Rachael Maza, actress and artistic director of Ilbijerri Theatre Company, discusses protocols for developing scripts and performance for Indigenous theatre.
Actress and director Rachael Maza talks about Ilbijerri theatre and the potential complexity sometimes involved in negotiating a fair contract between artists involved in the production of a performance work.
Artist Mandy Davis talks about her experience of copyright and moral rights infringement in her work.
What are moral rights?
Learn about moral rights in Arrernte
Learn about moral rights in English
Learn about moral rights in Kriol
Learn about moral rights in Pitjantjatjara
Learn about moral rights in Tiwi
Learn about moral rights in Warlpiri
Learn about moral rights in West Kriol
Learn about moral rights in Yolngu Matha
Trisha Adjei, Indigenous Communications Co-ordinator from CAL (Copyright Agency Limited) discusses information relating to the Resale Royalty Right for Visual Artists Act (2009) that was introduced in 2010 including what this new law means for Indigenous artists' and the art trade.
Deputy Director of Arts Law Delwyn Everard discusses wills and the importance of them for Indigenous artists in managing how their property will be distributed after passing away.
Francis Gurry, Director General of WIPO, discusses what the World Intellectual Property Organisation is doing within the context of Indigenous Cultural Intellectual Property. Les Malezer, Foundation for Aboriginal and Islander Research Action, Australia and Marisella Ouma, Executive Director, Kenya Copyright Board also talk about the importance of the worldwide protection of Indigenous traditional knowledge and cultural expressions. WIPO is working to address these issues for all Indigenous artists.
Curtis Taylor and Monique La Fontaine from FORM's Canning Stock Route Project talk about the development of the collection, which forms the basis of the exhibition Yiwarra Kuju: the Canning Stock Route, which includes around 130 artworks, involving 110 Aboriginal artists and contributors from 10 art and culture centres across 17 remote communities in the Goldfields, Midwest, Pilbara and Kimberley. The collection was acquired by the National Museum of Australia in December 2008. These videos discuss a number of legal issues involved with this project including ICIP, Moral Rights, Copyright and Licensing. Click here to read a written case study about this project.